Culture: Other11

A monument in the shape of an ancient cross has been erected on the grave of Alyaksey Dudarau. Nothing there is accidental

The massive stone cross seems to be taken from the times of the Belarusian Middle Ages. Every symbol carved on it is closely intertwined with the philosophy and famous plays of the writer himself.

Monument to Alyaksey Dudarau at the Eastern Cemetery in Minsk. The stone composition refers to ancient Belarusian necropolises. Photo: Ihar Zasimovich's Facebook.

Alyaksey Dudarau passed away in February 2023 and was buried at the Eastern Cemetery in Minsk. In the summer of 2024, a monument created by the famous Belarusian sculptor Ihar Zasimovich was erected on his grave.

The composition of the monument is built on the contrast of forms and textures of granite. At its base lies a geometrically regular, polished trapezoidal pedestal of reddish-brown stone. The inscription on it is as concise as possible: "Alyaksey Dudarau / Playwright" and dates of life (06.VI.1950 — 27.II.2023).

And above it rises a massive cross of light, rough granite. Its edges are intentionally uneven, imperfect, which gives the stone a spirit of naturalness and deep archaism. Such crosses can be seen in ancient rural necropolises.

On the front side, a traditional Belarusian six-pointed cross is carved. Its central, large crossbar has a specific shape: it gives the image an anthropomorphic resemblance to a person with widely outstretched arms.

At the same time, this silhouette strongly resembles the hilt and guard of a sword stuck into the ground. It was precisely this image of a knight's sword, plunged tip-down, that was placed on the cover of Dudarau's book "Prince Vitaut," so it can be considered a reference to the author's most important historical work.

The image of the cross, resembling a sword stuck in the ground, has become one of the central elements of the playwright's gravestone monument. Photo: Ihar Zasimovich's Facebook.

On either side of the carved cross are round medallions with anthropomorphic images of the Sun and Moon. And the upper medallion of the cross contains a chrism (☧) — an ancient monogram of Christ, consisting of the Greek letters Chi and Rho, adorned with the letters Alpha and Omega, a symbol of the beginning and end of all existence, according to the Apocalypse.

If you go around the monument from behind, you can see a short, poignant text carved into the stone:

A man lived his life
His night has come
Our evening has come

A quote from the play "Evening" on the back of the monument. The stylized font and untreated stone texture enhance the feeling of antiquity and connection to the earth. Photo: Ihar Zasimovich's Facebook.

These are the final words from Alyaksey Dudarau's most famous work — the play "Evening" (1983). They are spoken by the tragicomedy's character Vasyl (Multik) — a bright, wise old man who lives out his days in a desolate village. In the play, Multik has his own "cosmogonic system": he talks to the Sun, thanks it for life, for joy, and even for tears, believing that after death the human soul "will go to the Sun."

The monument perfectly corresponds to the personality of Alyaksey Dudarau. A descendant of a peasant family, he always felt a deep connection to Belarusian land and its history.

The work of sculptor Ihar Zasimovich sharply contrasts with the standard black gabbro-diabase slabs that densely cover even the Eastern Cemetery in Minsk today. Photo: Ihar Zasimovich's Facebook.

Living stone with its natural texture and hand-carved symbols stands in opposition to soulless black gabbro-diabase slabs, where portraits and inscriptions are stamped by laser engraving on industrial machines. The latter are encroaching even on such highly prestigious cemeteries as the Eastern, which can be considered a national necropolis. The monument to Alyaksey Dudarau turned out to be just like his plays — authentic, created on the foundation of Belarusian history and traditions.

«Nasha Niva» — the bastion of Belarus

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    14.07.2026
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